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Before his departure, Mc Laren and Westwood had conceived a new identity for their shop: renamed Sex, it changed its focus from retro couture to S&M-inspired "anti-fashion", with a billing as "Specialists in rubberwear, glamourwear & stagewear".Inspired by the punk scene that was emerging in Lower Manhattan—in particular by the radical visual style and attitude of Richard Hell, then with Television—Mc Laren began taking a greater interest in the Strand.When those plans fell through, Mc Laren, Rhodes and the band began looking locally for a new member to assume the lead vocal duties. John had something special, but when he started talking he was a real arsehole—but smart." When the pub closed, the group moved on to Sex, where Lydon, who had given little thought to singing, was convinced to improvise along to Alice Cooper's "I'm Eighteen" on the shop jukebox.As described by Matlock, "Everyone had long hair then, even the milkman, so what we used to do was if someone had short hair we would stop them in the street and ask them if they fancied themselves as a singer." In August 1975, Rhodes spotted nineteen-year-old Kings Road habitué John Lydon wearing a Pink Floyd T-shirt with the words I Hate handwritten above the band's name and holes scratched through the eyes. Though the performance drove the band members to laughter, Mc Laren convinced them to start rehearsing with Lydon.
and Malcolm Mc Laren and Vivienne Westwood's Too Fast to Live, Too Young to Die.Glen Matlock, an art student who occasionally worked at Too Fast to Live, Too Young to Die, was recruited as the band's regular bassist.In November, Mc Laren temporarily relocated to New York City.You don't have to let life get in the way of having the sex that you want to have, though.